Since I finished the mime education 1996 in Stockholm I’ve been able to work in a variety of productions: dance and theatre, children and adult theatre, performance and entertaining…even motion capture technique: every new job have been “filtered” through mime. But from the beginning of my professional life I’ve been interested in learning how to teach, to get a better perspective of the technique and the art form. In 2010 I finally got the opportunity to start working as assistant to Stanislaw Brosowski – professor in Mime acting and the creator of the education in Stockholm – and later on a bigger part of the education. Currently I am the teacher in mime acting for the 17th class since the education began in Stockholm, my seventh. Class description: The class is going to focus on the ground to the Swedish mime education –which develops from Polish mime – how we create and enhance the emotional necessity behind the movement. From our mime perspective, there is always a correlation between the outer choreography – the expression and quality my body use to move – and the inner choreography – the line of impulses that give necessity to move; my thoughts, emotions and thrust/urge.

Guillaume Pigé -Founder & Artistic Director of Theatre Re www.theatrere.co.uk Guillaume Pigé is a Theatre Director, Teacher and Producer. Originally from France, he has been living in the UK for the past 15 years. He established Theatre Re in 2011 and has directed each of the company's productions to date. He trained with theatre makers and directors such as Andrew Visnevski, Steven Wasson, Corinne Soum, Daniel Stein and Thomas Leabhart. Rooted in Etienne Decroux's Corporeal Mime, his practice takes inspiration from science, philosophy, psychology and public health to address global human challenges through moving and visually striking poetic theatre. Through Etienne Decroux's Corporeal Mime and the study of articulation - space, body, rhythms, and weight - we will explore how the smallest things take on a larger significance, and become more than what they are. We will learn to own and play with physical details, develop new material, and push the boundaries of what theatre, without a playwright, can do. Träning 8.30-9.30 9.30-10.00 Möt konstnären Vi bjuds in att lyssna till/titta på en ca 15 minuters presentation där vi får lära känna konstnären närmare. Vi öppnar därefter upp för frågor och samtal. Det går fint att droppa in enbart på presentationen. Klicka då på samma länk som finns till träningen.

Kort presentation på Vimeo: https://vimeo.com/499182667 Artistic Leader MAPA, the Moving Academy for Performing Arts (est.1993-Amsterdam) and it's laboratory theatre, Studio MAPA Nederland (Haarlem). Docent Physical Acting and Musicality of Movement in the Conservatory of Amsterdam, Liszt Ferenc Music Academy (University of Debrecen / Hungary), Young Musicians' Summer Academy (H), Codarts (Rotterdam). Since the early 90's she has been active as a performer, pedagogue, choreographer and company leader in Hungary, later in the Netherlands. Her intense work with musicians culminated in the research and development of her own pedagogical and choreographic approach Musicality of Movement (MoM) for performing artist with a special focus on musicianship. She is frequently asked to share her experience internationally by giving workshops, recently online as well. Besides teaching and performing she creates music-theatre pieces for the youngest audience (YAM nominated 'Woei', 'Zwier') in collaboration with Frisse Oren and location inspired music-theatre pieces based on the MoM approach. Her latest initiative for spreading valuable knowledge for performers, theatre makers, pedagogues is the online library and meeting platform: PhysicalTheatreTraining. www.musicalityofmovement.com www.mapa.nl www.physicaltheatretraining.com Träning 8.30-9.30

Tania Coke is an actor, director and teacher specialising in Corporeal Mime. Together with Kentaro Suyama she runs tarinainanika theatre company and the Corporeal Mime School of Performing Arts in Japan. Based at the Flying Carpet Factory in Osaka the company has presented its work at venues and festivals across Japan and internationally. They recently returned from a 6-city tour of the UK with their production Rey Camoy, which will be released as a film later this year. Their school offers full-time professional training, open classes and workshops and online training programmes. Tania trained with Steven Wasson and Corinne Soum at the International School of Corporeal Mime in London and was a long-time member of their company, Theatre de l'Ange Fou. https://linktr.ee/tarinainanika Here are links for viewing 2 past productions from the company Tokyo Fugue: https://bit.ly/3ACDov9 The Same Boat: https://bit.ly/3m4JosN Corporeal Mime is an approach to theatre based on the expressive power of the body. It is an independent art with its own technique, repertoire, vocabulary and creative processes. First conceived by Etienne Decroux in 20th century France today it is kept alive by dedicated practitioners across the globe. Träning 8.30-9.30 9.30-10.00 Möt konstnären Vi bjuds in att lyssna till/titta på en ca 15 minuters presentation där vi får lära känna konstnären närmare. Vi öppnar därefter upp för frågor och samtal. Det går fint att droppa in enbart på presentationen. Klicka då på samma länk som finns till träningen. Mer info kommer inom kort

Mim artist, teacher, bboy and director of his solo performances. From 2005 to 2013, he was a member of the Break Dance Theater "Legion". In 2019, he graduated from the Kyiv Municipal Academy of Circus and Variety Arts and received a master's degree in pantomime. 2018–2021, he was a co-author and participant of the Mime Theater ILINASTROE (@ilinastroe). He currently works in the Kyiv National Circus as a mime actor. Class description: The teaching methodology is based on the modern Ukrainian vision (analysis, interpretation) of the "Mime Corporal" technique by Etienne Decroux. Main theses: - working out the local block in space and local movement; - the use of techniques and methods of classical pantomime in theatrical or physical performances (working with an imaginary environment); - combination of external choreographic form with meanings and feelings; - associative expressive plasticity in the format of improvisation. Links to some of my mime performances: Duo: https://www.youtube.com/watch?v=th2dUsjGuZI&t=49s Illinastroe: https://www.youtube.com/watch?v=a7fczi2YkT4 Improvisation: https://www.youtube.com/watch?v=wz6Yb6_AkV4 Träning 8.30-9.30 9.30-10.00 Möt konstnären Vi bjuds in att lyssna till/titta på en ca 15 minuters presentation där vi får lära känna konstnären närmare. Vi öppnar därefter upp för frågor och samtal. Det går fint att droppa in enbart på presentationen. Klicka då på samma länk som finns till träningen.

Frukostsamtal utifrån metodboken "Självledarskap för kulturskapare". Till måndagens samtal har vi bjudit in Olof Svensson Roosling som är en av författarna till boken Självledarskap för kulturskapare, ett metodmaterial som utvecklar din skapande och konstnärliga verksamhet. Olof jobbar på Capellagården och leder kulturinkubatorn på Kreativa Öland. Kulturinkubatorn är ett slags företagsstöd som riktar sig till kulturskapare på Öland och tar sin utgångspunkt i en konstnärlig företagslogik. Vi inleder veckan tillsammans genom att ta oss tid att tänka kring våra verksamheter. Med metodboken som utgångspunkt leder Olof oss genom frågeställningar som handlar om dina drivkrafter, vad du vill få ut av din verksamhet på lång sikt, din verksamhets olika ben, de olika rollerna du ska axla i din verksamhet och hur du leder dig själv genom ditt arbetet och de utmaningar som uppstår längs vägen. Förbered med papper att skriva på, en skön penna och varm dryck. Om du vill läsa mer om Olofs arbete och titta i metodboken kan du göra det på kulturinkubatorns hemsida www.kreativaoland.se.

Guillaume Pigé -Founder & Artistic Director of Theatre Re www.theatrere.co.uk Guillaume Pigé is a Theatre Director, Teacher and Producer. Originally from France, he has been living in the UK for the past 15 years. He established Theatre Re in 2011 and has directed each of the company's productions to date. He trained with theatre makers and directors such as Andrew Visnevski, Steven Wasson, Corinne Soum, Daniel Stein and Thomas Leabhart. Rooted in Etienne Decroux's Corporeal Mime, his practice takes inspiration from science, philosophy, psychology and public health to address global human challenges through moving and visually striking poetic theatre. Through Etienne Decroux's Corporeal Mime and the study of articulation - space, body, rhythms, and weight - we will explore how the smallest things take on a larger significance, and become more than what they are. We will learn to own and play with physical details, develop new material, and push the boundaries of what theatre, without a playwright, can do.

Mim artist, teacher, bboy and director of his solo performances. From 2005 to 2013, he was a member of the Break Dance Theater "Legion". In 2019, he graduated from the Kyiv Municipal Academy of Circus and Variety Arts and received a master's degree in pantomime. 2018–2021, he was a co-author and participant of the Mime Theater ILINASTROE (@ilinastroe). He currently works in the Kyiv National Circus as a mime actor. Class description: The teaching methodology is based on the modern Ukrainian vision (analysis, interpretation) of the "Mime Corporal" technique by Etienne Decroux. Main theses: - working out the local block in space and local movement; - the use of techniques and methods of classical pantomime in theatrical or physical performances (working with an imaginary environment); - combination of external choreographic form with meanings and feelings; - associative expressive plasticity in the format of improvisation. Links to some of my mime performances: Duo: https://www.youtube.com/watch?v=th2dUsjGuZI&t=49s Illinastroe: https://www.youtube.com/watch?v=a7fczi2YkT4 Improvisation: https://www.youtube.com/watch?v=wz6Yb6_AkV4

Kort presentation på Vimeo: https://vimeo.com/499182667 Artistic Leader MAPA, the Moving Academy for Performing Arts (est.1993-Amsterdam) and it's laboratory theatre, Studio MAPA Nederland (Haarlem). Docent Physical Acting and Musicality of Movement in the Conservatory of Amsterdam, Liszt Ferenc Music Academy (University of Debrecen / Hungary), Young Musicians' Summer Academy (H), Codarts (Rotterdam). Since the early 90's she has been active as a performer, pedagogue, choreographer and company leader in Hungary, later in the Netherlands. Her intense work with musicians culminated in the research and development of her own pedagogical and choreographic approach Musicality of Movement (MoM) for performing artist with a special focus on musicianship. She is frequently asked to share her experience internationally by giving workshops, recently online as well. Besides teaching and performing she creates music-theatre pieces for the youngest audience (YAM nominated 'Woei', 'Zwier') in collaboration with Frisse Oren and location inspired music-theatre pieces based on the MoM approach. Her latest initiative for spreading valuable knowledge for performers, theatre makers, pedagogues is the online library and meeting platform: PhysicalTheatreTraining. www.musicalityofmovement.com www.mapa.nl www.physicaltheatretraining.com

Vilodag

Tania Coke is an actor, director and teacher specialising in Corporeal Mime. Together with Kentaro Suyama she runs tarinainanika theatre company and the Corporeal Mime School of Performing Arts in Japan. Based at the Flying Carpet Factory in Osaka the company has presented its work at venues and festivals across Japan and internationally. They recently returned from a 6-city tour of the UK with their production Rey Camoy, which will be released as a film later this year. Their school offers full-time professional training, open classes and workshops and online training programmes. Tania trained with Steven Wasson and Corinne Soum at the International School of Corporeal Mime in London and was a long-time member of their company, Theatre de l'Ange Fou. https://linktr.ee/tarinainanika Here are links for viewing 2 past productions from the company Tokyo Fugue: https://bit.ly/3ACDov9 The Same Boat: https://bit.ly/3m4JosN Corporeal Mime is an approach to theatre based on the expressive power of the body. It is an independent art with its own technique, repertoire, vocabulary and creative processes. First conceived by Etienne Decroux in 20th century France today it is kept alive by dedicated practitioners across the globe.

Guillaume Pigé -Founder & Artistic Director of Theatre Re www.theatrere.co.uk Guillaume Pigé is a Theatre Director, Teacher and Producer. Originally from France, he has been living in the UK for the past 15 years. He established Theatre Re in 2011 and has directed each of the company's productions to date. He trained with theatre makers and directors such as Andrew Visnevski, Steven Wasson, Corinne Soum, Daniel Stein and Thomas Leabhart. Rooted in Etienne Decroux's Corporeal Mime, his practice takes inspiration from science, philosophy, psychology and public health to address global human challenges through moving and visually striking poetic theatre. Through Etienne Decroux's Corporeal Mime and the study of articulation - space, body, rhythms, and weight - we will explore how the smallest things take on a larger significance, and become more than what they are. We will learn to own and play with physical details, develop new material, and push the boundaries of what theatre, without a playwright, can do.

Ta din frukostmacka och klicka in på frukostmötet som start på veckan. Säg hej till dina kollegor och var med och skapa ett givande möte. Lyssna, fråga eller berätta något. Vi börjar med en presentationsrunda och därefter pratar vi kring några topics som kommit upp. Det finns utrymme att dela med sig av funderingar och samtalet formas utefter behov och önskemål på plats.

Mim artist, teacher, bboy and director of his solo performances. From 2005 to 2013, he was a member of the Break Dance Theater "Legion". In 2019, he graduated from the Kyiv Municipal Academy of Circus and Variety Arts and received a master's degree in pantomime. 2018–2021, he was a co-author and participant of the Mime Theater ILINASTROE (@ilinastroe). He currently works in the Kyiv National Circus as a mime actor. Class description: The teaching methodology is based on the modern Ukrainian vision (analysis, interpretation) of the "Mime Corporal" technique by Etienne Decroux. Main theses: - working out the local block in space and local movement; - the use of techniques and methods of classical pantomime in theatrical or physical performances (working with an imaginary environment); - combination of external choreographic form with meanings and feelings; - associative expressive plasticity in the format of improvisation. Links to some of my mime performances: Duo: https://www.youtube.com/watch?v=th2dUsjGuZI&t=49s Illinastroe: https://www.youtube.com/watch?v=a7fczi2YkT4 Improvisation: https://www.youtube.com/watch?v=wz6Yb6_AkV4

Kort presentation på Vimeo: https://vimeo.com/499182667 Artistic Leader MAPA, the Moving Academy for Performing Arts (est.1993-Amsterdam) and it's laboratory theatre, Studio MAPA Nederland (Haarlem). Docent Physical Acting and Musicality of Movement in the Conservatory of Amsterdam, Liszt Ferenc Music Academy (University of Debrecen / Hungary), Young Musicians' Summer Academy (H), Codarts (Rotterdam). Since the early 90's she has been active as a performer, pedagogue, choreographer and company leader in Hungary, later in the Netherlands. Her intense work with musicians culminated in the research and development of her own pedagogical and choreographic approach Musicality of Movement (MoM) for performing artist with a special focus on musicianship. She is frequently asked to share her experience internationally by giving workshops, recently online as well. Besides teaching and performing she creates music-theatre pieces for the youngest audience (YAM nominated 'Woei', 'Zwier') in collaboration with Frisse Oren and location inspired music-theatre pieces based on the MoM approach. Her latest initiative for spreading valuable knowledge for performers, theatre makers, pedagogues is the online library and meeting platform: PhysicalTheatreTraining. www.musicalityofmovement.com www.mapa.nl www.physicaltheatretraining.com

Tania Coke is an actor, director and teacher specialising in Corporeal Mime. Together with Kentaro Suyama she runs tarinainanika theatre company and the Corporeal Mime School of Performing Arts in Japan. Based at the Flying Carpet Factory in Osaka the company has presented its work at venues and festivals across Japan and internationally. They recently returned from a 6-city tour of the UK with their production Rey Camoy, which will be released as a film later this year. Their school offers full-time professional training, open classes and workshops and online training programmes. Tania trained with Steven Wasson and Corinne Soum at the International School of Corporeal Mime in London and was a long-time member of their company, Theatre de l'Ange Fou. https://linktr.ee/tarinainanika Here are links for viewing 2 past productions from the company Tokyo Fugue: https://bit.ly/3ACDov9 The Same Boat: https://bit.ly/3m4JosN Corporeal Mime is an approach to theatre based on the expressive power of the body. It is an independent art with its own technique, repertoire, vocabulary and creative processes. First conceived by Etienne Decroux in 20th century France today it is kept alive by dedicated practitioners across the globe.