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Ana Stanišić är utbildad mimskådespeleri vid Stockholms Konstnärliga Högskola. Sedan examen 2015 har hon arbetat som skådespelare, koreograf och regissör på teatrar som Unga Klara, Malmö Stadsteater, Riksteatern, Örebro Teater, Bombina Bombast m.fl. Idag arbetar hon som skådespelare och koreograf på Stiller Studios med animerad film. Ana kallar sig för koreograferande regissör, eller regisserande koreograf. Alltid med berättelsen i fokus flätar Ana samman text och rörelse i en distinkt symbios. Anas stil kan kännas igen på kombinationen av minimalistisk mim, humor, hip hop, nördiga influenser och populärkulturella referenser. www.anastanisic.com

Skådespelare, mimare, akrobat, scenmästare, pedagog, vän. Uppfostrad på gatorna i Kristianstad. Men önskan och viljan om att se mer och uppleva mer drog honom vidare ut i världen. Efter skola i Göteborg, rivningsarbete i Oslo, urfattig och hemlös åter i Kristianstad och till sist utbildad på STDH så jobbar han nu med en rad olika saker. Han gör det som verkar vara spännande och roligt helt enkelt. Allt från skådespelare till scenograf, koreograf, pedagog och scenmästare. Han kan inte få nog av att lära sig nytt och bemästra fler ämnen inom vilket jobb han än tar sig hän. Vissa tidningar har sagt att han är ett komiskt geni, andra nämner hans egenskap att explodera i fysiskt fyrverkeri. Men egentligen är han bara helt enkelt en bra kille. rickard-hasslinger.jimdofree.com

Tove Sahlin heter jag och jag är utbildad mimare, årgång 2001. Jag har sedan dess drivit fria grupper, samt frilansat både som scenartist ( mest dansare) regissör och koreograf. Sen 10 år tillbaka har jag min konstnärliga bas genom Shake it Collaborations www.shakeitlab.com varvat med uppdrag från institutioner, nu senast på Dramaten. Vårvintern 2022 planerar jag genomföra projketet Shake it i Källaren i samarbete med aliasTeatern, där tre av mina produktioner som ställdes in av pandemin ska spelas. www.aliasTeatern.se Om träningen: Under åren har jag sakta samlat på mig olika grundformer av träning som ska kunna passa utövare med olika fysisk förutsättning. Det innebär ganska självständigt arbete utifrån ganska enkla intruktioner, som varje deltagare får utveckla utifrån sitt läge och sin referensbank. Jag själv älskar att improvisera och vara i kroppen utifrån dagsläget, men ändå utmana mig själv att spänna bågen och medvetandegöra riktningar, intention och bilder/berättelser. Så att det inte blir "samma sås" som Stanislav brukade säga. Vi kommer ägna våra 45 min åt att jobba med våra egna rörelser men med tydliga intentioner och "koreograferad blick" för att veta hur vi sänder, vad vi sänder och ett försök att utmana våra rörelsemanér och ibland överraska oss själva. Jag kommer att spela musik så ha gärna någon högtalare kopplat till datorn så att du får lite musik i kroppen. Hoppas att vi svettas lite ihop på distans och sedan så snart det går ses i en studio tillsammans.

Dag Andersson was born Dec 9th, 1973 in the small town Arvika in Sweden. He is a multidisciplinary performer and creator who works in stage and film as an actor, dancer, choreographer and director. He is also an accomplished vocal artist (who works both in singing and voiceover work) whose work specializes in projects that demand a wide vocal range, facility in accents and dialects, fluency in the English language as well as Swedish, and ryhthmic complexity. While earlier in his career he was known primarily for his oevre in physical comedy, mime and dance, since 2016 his work has moved him into more dramatic work for both stage and screen. https://dagandersson.me/

Arbetar som koreograf och performer i fältet av nutida dans, bildkonst och teater. Sybrig är utbildad vid Codarts, Rotterdam. Efter att ha flyttat till Stockholm 1995 initierade hon internationella projekt i östeuropeiska länder och grundade Lava-Dansproduktion tillsammans med Benno Voorham 1997. Sybrig har samarbetat och arbetat med bland andra Peter Stamer, Aitana Cordero Vico, Anna Koch, Litó Walkey, Yvonne Rainer, Frédéric Giess, Anna Ådahl, Pontus Pettersson och Marie Fahlin. www.sybrigdokter.com

Jag utbildade mig till mimskådespelare i Paris 1984-1989 på L’ecole au Carre och l’ecole de mime corporel dramatique de Paris. Jag har sedan dess arbetat som mimskådespelare i många spännande sammanhang med många fantastiska människor hos bland andra: Teater Tre, Klassiskt Tonande, Byteatern i Kalmar och Pantomimteatern. Jag har de senaste 20 åren också arbetat mycket som sjukhusclown hos Clownmedicin på Astrid Lindgrens barnsjukhus i Solna och Huddinge, hos Unga på Operan som pedagog, som mimskådespelare och som lärare i mimteknik på Boulevadteaterns teaterskola. På mimplattformens morgonträning kommer jag mest att undervisa i Mime Corporel. Det blir: uppvärmningar, hållningsövningar, isolationsövningar, viktförflyttningar, dynamorytmer och kortare koreografier. Foto Tina Axelsson

Mai has a degree from the Royal School of Performing Arts in Madrid, Spain, as well as from the International School of Corporeal Mime in London, England. Mai has worked as a performer for Cirque du Soleil and is the co-director of Los Escultores del Aire / Physical Theater. He teaches the online program in Corporeal Mime and Physical Theater at the LAB PROJECT TRAINING. For more information about Mai´s workshops and shows please visit www.escultoresdelaire.com The classes taught at MIMPLATTFORMEN will focus on developing the muscle of the imagination. The students will explore different ways of expression through the technique of Corporeal/Etienne Decroux mime. Each class is based on the pillars of Corporeal Mime; dramaturgy, form and rhythm.

My name is Anetta and I’m a Ukrainian mime, actress and dancer. I graduated from the Academy of circus and variety arts in Kyiv. I was a member of the ILINASTROE group, a mime company created by graduates from The Academy of Circus and Variety arts in Kyiv, Ukraine. I have 8 years of experience in pantomime. You can watch one of my performances called "The Web Of Life" here: https://youtu.be/ykW6wzMKNXc During my class at Mimplattformen I’ll focus on sharing my practice as a movement based artist. We’ll start off with simple movements, to then move on to exploring different elements from nature in order to create new and unique movements.

Janaina is a Brazilian actress, mime, director and pedagogue based in France since 2010. She went through a multidisciplinary artistic training: initiated to classical dance from the age of 4, she moved on to contemporary dance by working with several Brazilian choreographers within the Cie Dançarte. She then trainined as an actress at the Indac Escola de Atores and played professionally and ensured leading roles in various productions. It is an invitation to play in a dance-theatre show, "Anonimus", directed by Tatiane Camargo, which opens the door to physical theatre. This virus brought her to London where she trained in corporeal mime under the direction of Steven Wasson and Corinne Soum (Théâtre de l'Ange Fou). She then took courses with Thomas Leabhart (Pomonna College, California), Odin Teatret (Norway), Cie à Fleur de Peu (France) and Claire Heggen (Théâtre du Mouvement, France). She founded the company PLATFORM 88 with Sébastien Loesener with whom she began a search for a specific language exploring and researching on body dramaturgy. As a pedaogue, she is currently a lecturer at Université Paul Valery in Montpellier, where she also directs , the festival Mime in Motion.

About Tania Coke Tania is co-director of tarinainanika theatre company and the Corporeal Mime School of Performing Arts in Osaka, which she runs together with her partner Kentaro Suyama from their studio, the Flying Carpet Factory. tarinainanika creates mesmerising physical dramas such as Tokyo Fugue and The Same Boat which have been presented at festivals and venues across Japan and Europe. Tania spent many years training and working in London with Steven Wasson and Corinne Soum, last assistants of the Founder of Corporeal Mime, Etienne Decroux. About Corporeal Mime Corporeal Mime is a theatrical tradition that centres on the expressive power of the human body. It has its own distinctive technique, repertoire and creative processes which enable the actor to convert thoughts and ideas into stylised dramatic expression. First conceived by Etienne Decroux in France in the early 20th century, Corporeal Mime continues to evolve through the work of dedicated practitioners across the globe. https://www.tarinainanika.com/

Ukrainian/Dutch theatermaker, painter, mime actress and founder, artistic leader and director of Mime Wave and Mime Wave Festival, co-creator of studio Mime fabriek(Amsterdam). She is from Kyiv (Ukraine) and has been living and working in Amsterdam since 2010. Education: 2010 – 2014 Theaterschool van Amsterdam (AHK), Mime department (Amsterdam, NL) Theater maker and performer / bachelor’s degree 2007 – 2011 Kyiv National I. K. Karpenko-Kary Theater, Cinema and Television University director of animation (Kyiv, Ukraine) / bachelor’s degree 2008 – 2010 MAPA “Moving Academy for Performing Art” (NL and UA) master’s degree 2003 – 2007 Kyiv’s National College of Circus, Pantomime department (Kyiv, UA) Young professional degree Mime Wave started in 2010 with the goals of creating theater production, international exchange and education, and focusing on international collaboration (especially between Ukraine and The Netherlands). Website of organization: http://www.mimewave.com/ Personal website: http://www.liubchenko.com/

Kauri Honkakoski (they / them. hen) is a Physical Theatre practitioner from Helsinki, Finland and the artistic director of Kauri Honkakoski Company. With their artistic roots in Corporeal Mime, Kauri is known for exploring human themes with physical precision and emotional depth. Having trained with Theatre de L’Ange Fou in London (2006-2013), for Kauri Corporeal Mime is a language of deep intuitive expression, that enables them to touch on something essential and shared in the human experience. The morning class focuses on deepening the participants’ physical expression and artistic thinking. Kauri’s work has toured extensively in Europe and beyond, with their ensemble show The Desk receiving The Scotsman Fringe First Award at Edinburgh Fringe 2019. The Company’s next show Hinterland, was created with a large international cast of physical actors and is premiering in Ljusdal, Sweden in May 2023 and Helsinki in September 2023. www.kaurihonkakoski.com

STEPHANE LEVY Graduated in Philosophy from the University of Paris X and in physical theatre, teaching and directing from the International School of Corporeal Mime of London, Stephane is the Artistic Director of MOVEO – creation and training center and teacher at the Escuela Superior de Arte Dramático de Barcelona and at the Conservatorio Superior de Danza de Barcelona (Institut de Teatre). He is also, alongside Sophie Kasser, co-director of the Moveo Company Based in Barcelona since 2005, Stephane has directed and toured the Moveo company’s production around the world and has been awarded for his creations with many awards such as Mostra de Teatre 2007,-e-mix label 2011, Best show at the Huesca Festival 2016, FiraTàrrega Moritz Award 2017, and the Dansacat 2020 Award amongst others. His knowledge of mime and physical theater and movement has led him to direct projects, courses and workshops in various international organisations. He also directs creation projects for the Theatre Institute of Barcelona. Teaching Method Stephane focuses his teaching on allowing performers, through the methods and principles of corporeal mime, to expand their physical abilities and place the body at the cente of their artistic practice. The main idea behind this teaching is on one hand to integrate in the body the essence of drama. Conflict, doubt, progression, dialogue have to be worked on though a precise and articulated study of the body’s possibilities and the relation with gravity. On the other hand, the teaching aims at creating a close connection between movement and imagination, as the performers becomes intimate with his movement https://www.moveo.cat/ https://ciamoveo.cat/

Artistic Leader MAPA, the Moving Academy for Performing Arts (est.1993-Amsterdam) and it's laboratory theatre, Studio MAPA Nederland (Haarlem). Docent Physical Acting and Musicality of Movement in the Conservatory of Amsterdam, Liszt Ferenc Music Academy (University of Debrecen / Hungary), Young Musicians' Summer Academy (H), guest teacher at Codarts INCUBATOR (Rotterdam). Since the early 90's she has been active as a performer, pedagogue, choreographer and company leader in Hungary, later in the Netherlands. Her intense work with musicians culminated in the research and development of her own pedagogical and choreographic approach Musicality of Movement (MoM) for performing artist with a special focus on musicianship. She is frequently asked to share her experience internationally by giving workshops, recently online as well. Besides teaching and performing she creates music-theatre pieces for the youngest audience (YAM nominated 'Woei', 'Zwier') in collaboration with Wervelvind Ensemble (Frisse Oren) and location inspired music-theatre pieces based on the MoM approach. Her latest initiative for spreading valuable knowledge for performers, theatre makers, pedagogues is the online library and meeting platform: PhysicalTheatreTraining.

Corporeal Mime scales for physical comedy When we think of the Corporeal Mime scales, we often stop at the strict constraints that they impose on the actor's body, which can sometimes appear appropriate only for more poetic, abstract or/and dramatic performances. On the contrary, in this class we will practice some mime scales to articulate with great precision our spines, while aiming for a daring and humorous relationship to the space and the "audience". Therefore instead of letting our focus dive into ourselves, we will work on openness and creativity while maintaining a high level of control over our movement. Let's have some fun !

Actor and mime trained at Marcel Marceau’s International School, Benoît Turjman is known in France to have performed in major Netflix TV show Emily in Paris (season 2 ep. 4 & 9) and in French TV shows LOL: Who laughs is out! and Reign Supreme (ep. 1, Arte/Netflix). He has also acted Isabelle Mergault’s award winning French movie You Are So Handsome (French academy award Cesar for Best 1st Movie), he has collaborated to a FX sequence in Bye Bye Morons of french multi-awarded director Albert Dupontel. And overall, he was stunt double for Rowan Atkinson in Mr Bean’s Holiday. Benoît Turjman is also the creator of the character “The Neighbor”, a clumsy grouchy nerd, boy next door, in search for true love. The show is a smash hit in modern pantomime, warmly acclaimed everywhere it was performed. Since its creation, the show as toured 200 times in France, Cape Verde, Cuba, Romania, Czech Republic, China, Portugal, Germany... and is still touring! Since his debut, Benoît has dedicated himself to physical acting and has performed in over 30 shows, from commedia dell’arte to circus, opera to cabaret, and stunt show to mime. He has also coached in physical acting and been “script-doctor” for companies and shows (circus, street shows, equestrial show, musical, commedia dell’arte, comedy and TV show). He has given lessons and masterclasses in mime and commedia dell’arte to conservatories, festivals and drama schools (such as University Paris 8, Académie Fratellini superior school of circus). He participated to educational and artistic programs for the national museum of contemporary and modern art Centre Pompidou, and for diverse festivals.

Maria är utbildad i Corporeal Mime vid Centro MOVEO i Barcelona (2007–2012) och har varit verksam som skådespelare vid bland annat MOVEO Co. och Boulevardteatern i Stockholm. Sedan några år tillbaka är hon med och driver mimfestivalen Gothenburg Mime Fest. Under söndagens morgonpass tränar vi oss i Decroux-teknikens grunder och fördjupar oss i rörelsens precision samt utforskar hur olika handlingar kan amplifieras och artikuleras genom både repertoar och metod.

Mimutbildad på Mimlinjen och jobbbat i 40 år som regissör, skådespelare, dramatiker, teaterskolerektor, pedagog, översättare, konstnärlig ledare (framförallt på Boulevardteatern och Teater Pero), långfilmsregissör och numera även i konstnärliga rådet på Länsteatern Jämtland/Härjedalen Som skådespelare har jag bl.a. spelat alla 20 roller i Hamlet – en standup i 30 år runt om i världen över 1000 gånger Inspiratörer som jag jobbat med: Keith Johnstone (impro), Stanislav Brozowski (mim), Philippe Gaulier (clown), David Collins/Umbilical brothers (comedy), Ian McElhinney (regi) Carlo Boso (commedia) samt Bo W Lindström och Peter Engkvist.

Utbildad på Teaterhögskolan i Stockholms mimprogram mellan 2002-2006. Verksam regissör och koreograf runt om i Sverige och Norge. Har arbetat med ett flertal omslutande scenkonstproduktioner så som Satans demokrati trilogin. Under passet kommer Jimmy tillsammans med deltagarna utforska mötet med den omslutande publiken, spatiala överenskommelser och berättande rörelsesekvenser.

Utbildad av Stanislaw Brosowski 1980-83 och har arbetat som mimskådespelare, regissör, dramatiker, koreograf & pedagog i 40 år som frilans Det har blivit mkt barn o ungdomsteater. Jag tycker om att blanda allvar med komik i mina uppsättningar, jag har ofta varit upphovsperson eller medskapande. Jag tycker om teamwork, då föds och skapas bra ideer, men också väsentligt att driva och behålla en egen intention. Jag strävar efter tydlighet och precision - det är en scenkonstform som hela tiden omformas med varje nytt projekt men med grunden i tekniken för att bli klart avläsbart.